High time for another round of sexy typists. Here we have Bette Davis in
“Old Acquaintance” (1943), discussed in this previous blog post, who proves that the only thing more sexy than a typist is a typist who wears glasses.
Bette flexes her magic fingers again in front of the keyboard for
“The Man Who Came to Dinner” (1942), discussed in this previous blog post. She seems to be challenging Barbara Stanwyck for the title of being Hollywood’s most prolific typist.
Perhaps the word “sexy” does not always apply to typists, but typing does wonders to improve one’s sensuality. Here were see Jack Lemmon in
“Bell, Book and Candle” (1958), discussed in this previous post. He has Kim Novak’s attention.
Even Ernie Kovacs, from the same movie, though not exactly the romantic hero type, somehow seems…
Well, all right. It doesn’t work for everybody.
Here we have Dan Duryea and Walter Brennan from
“Pride of the Yankees” (1942), discussed in this previous post. I guess it really doesn’t work for everybody.
For our previous posts on
movie typists, have a look here, and
here.
