There's something about Satyajit Ray's Samapti that is bound to touch the chords of a woman's heart. The last movie in the Teen Konya series (Postmaster, the first, is a superlative endeavour to project a young girl's isolation; Monihara however, is the weak link) is a brilliant romance carrying with it the whiff of rural Bengal. But even amidst all the intricacies of the human relationships