One of the first things people do when visiting the stars’ handprints and footprints in cement out front of the (now) Mann’s Chinese Theater is to put their own hands in those famous indentations. It is especially tempting with Clark Gable’s because his paws were so large.
“To Sid who is a great guy,” he wrote into the cement. Sid, of course, refers to showman Sid Grauman, who owned the (then) Grauman’s Chinese Theater, among others. The date was January 20, 1937, the same day President Franklin Delano Roosevelt was being sworn into his second term of office and frankly announcing, “I see one third of our nation ill-housed, ill-clad, and ill-nourished.”
It was also the same day director W. S. Van Dyke, II got to put his hands in cement at Grauman’s as well. I don’t know if there was a tie-in (Van Dyke had directed Gable a few years previously in “Manhattan Melodrama”), or if this was just the chance way the scheduling came together. “One-take Woody” directed “After the Thin Man”, which had been released the previous month, and his “Personal Property” with Jean Harlow and Robert Taylor would be released in another two months. He turned them out like clockwork.
Gable’s next picture to be released would be “Parnell” in June, which in a way dovetails us into Thursday’s St. Patrick’s Day post. It won’t be “Parnell” this time, about the 19th century Irish politician, a role for which most people agree Gable was probably not the best choice. Instead, we’ll look at another film tackling Irish politics and “The Troubles” -- “Beloved Enemy” (1936).
For more on the Chinese Theater, have a look at this website.
Showing posts with label Hollywood history. Show all posts
Showing posts with label Hollywood history. Show all posts
Monday, 14 March 2011
Monday, 17 January 2011
TCM's "Moguls and Movie Stars"
Having heard little discussion on blogs about TCM’s original documentary series in December, “Moguls and Movie Stars”, I wondered if others were, like me, still working my way through the episodes I recorded because I didn’t have the time to watch them when they were broadcast.
I thought the series very well done, and the early decades especially were enlightening for much information I hadn’t known, particularly about the influence of female directors and writers. Does anybody else have any comments or opinions about the “Moguls and Movie Stars” series?
I thought the series very well done, and the early decades especially were enlightening for much information I hadn’t known, particularly about the influence of female directors and writers. Does anybody else have any comments or opinions about the “Moguls and Movie Stars” series?
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